New to the Site? Click Here for a Primer!

Sunday, January 22, 2017

Ring ni Kakero's Best Bouts Part 2: From the World Tournament to the Final Fight

In creating this list of the best fights in Ring ni Kakero, & this is seen in the first half, I noticed something... Ryuji Takane is all over this list. I guess that makes a certain sense since he's the main character, but at the same time I can give an easy explanation to that. In short, Masami Kurumada tended to give Ryuji the fights with a lot of meat to them, likely due to his status as main character. That's not to say that the other characters have fights that aren't any good, because there are really enjoyable fights from Ishimatsu, Kawai, Shinatora, & Kenzaki, but the main issue with most of them is that they don't tend to have the same amount of time that Ryuji's fights are given. This can be considered a bit of an example of how RnK is the "bible" of fighting manga, and therefore later titles would give more time to the supporting cast's fights, but it's something to point out.

That being said, let's get to Part 2 & see which were the best fights in the second half of Ring ni Kakero.

(WARNING! As I'll be covering exact fights, please keep in mind that I may venture into spoilers at times. I'll try to keep them as general as possible, but fair warning.)


Ryuji Takane vs. Napoleon Baroa
After being first mentioned at the end of the Champion Carnival, the World Tournament Chapter finally starts up, and the fights in this arc are almost all really damn good. While there are still some rather short fights (two of the fights against Team France are good examples of that), the rest all have something really cool to them. Ishimatsu taking on four members of Team Italy on his own, the crazy ability all of Team France have (which I'll get to in a bit), the scientifically concocted counter-strategies Team Germany uses to combat Golden Japan's superblows, & the sheer spectacle that is Team Greece are all excellently memorable moments, so choosing just one from this entire arc is really damn hard. If I can for a moment, I just want to give "honorable mentions" to Ryuji vs. Don Juliano (a very strong start for the arc), Ishimatsu vs. Tiffany (another showcase of Ishimatsu's tenacity), Shinatora vs. Himmler (if only for the Special Cross Counter), & Kenzaki vs. Theseus (the first time Kenzaki actually is pushed hard).

Wednesday, January 18, 2017

Ring ni Kakero's Best Bouts Part 1: From Tokyo to the Shadow Clan

Befitting a manga series about boxing, Masami Kurumada's Ring ni Kakero is very much focused around combat. Almost every story arc has many, many 1-on-1 fights housed within, especially once it hits its genre-defining groove & enters its more tournament & challenge match-focused direction. With that in regard, it's obvious that not every fight is going to be a knockout (cue rimshot). This is all the more true for RnK, as many of the fights don't follow the seeming standard that people nowadays associate with fights in shonen manga. Instead of primarily stretching out battles for drama & emotion, like how it's generally done today, bouts in RnK are primarily fast & over fairly quickly, though there are a handful of exceptions. Therefore, deciding which fights are the "Best Bouts" in this series comes down to not just the action itself but also the circumstances in & around them. In the end, I decided to round it down to one fight for each story arc in the manga & one special inclusion so that it's an even ten bouts. So, without further ado, let's get started.

(WARNING! As I'll be covering exact fights, please keep in mind that I may venture into spoilers at times. I'll try to keep them as general as possible, but fair warning.)


Ryuji Takane vs. Jun Kenzaki II
First up is what is officially named the Road to Tokyo Chapter, which shows how Ryuji & Kiku Takane go from a downbeat life with their mother & their new deadbeat stepfather to eventually living with Zoroku Omura at the Tokyo boxing gym that he runs. The main focus in this arc is character development more than anything, showing how Ryuji starts off completely resistant to taking up boxing before he meets young prodigy Jun Kenzaki & finds a reason to take up the sport. In that regard, there are really only two actual "bouts" in this arc, so this wasn't a hard choice to make. The first (impromptu) fight between Ryuji & Kenzaki isn't bad by any means, but as a fight it's pretty one-sided. It's simply Kenzaki beating the ever-living crap out of Ryuji until our lead manages to find an opening & knocks his newfound rival out of the ring & into a giant mirror on the wall of the boxing club's gym. The second fight, however, is another thing entirely.

Saturday, January 14, 2017

Ring ni Kakero Trivia Track: Six Neat, Important, or Interesting Factoids

Masami Kurumada made his professional debut in 1974 with Sukeban Arashi/Delinquent Storm, a comedic series about Rei Kojinyama, who tries to be an ideal schoolgirl to honor the memory of her deceased mother but can't help leaning back into her delinquent lifestyle. After that wound up getting cancelled, he decided that his next series would pay homage to one of his favorite manga of all time: Ashita no Joe. He quickly realized that simply following AnJ's style would both be a disservice to that manga as well as his own series, so he wound up adopting a more over-the-top style influenced by Astro Kyudan/Team Astro, a popular Jump manga that was running when he debuted. While being technically a baseball manga, the feats & games that were actually played were so absurdly over-the-top that it kept readers captivated for four years & 20 volumes; it was that concept of "attraction" that Kurumada wanted to bring to his boxing manga.

In doing just that, Ring ni Kakero wound up becoming an important part in the evolution of not just Shonen Jump but also action manga, often called "fighting manga" in Japan, in general. You can read my review of the manga to get a better understanding of why that is, but what I want to focus on are the little things. I've brought most of them up before on the blog but want to describe in more detail here, while one of them in particular I've only alluded to. Call it "trivia" if you will (hell, I did in the name of this post), but let's have some fun here. First up is probably the most important piece of trivia of all, though.


"The Hot-Blood Fighting Manga Bible"
It's easy for something to be called a "classic", since most just equate that word with age instead of saving it solely for those with good quality; personally, I think the word "vintage" should be the general term, instead. It's tougher for something to be called an "icon", as that has to indicate not just age & quality, but also a status as being something that represents an entire group, whether it's a genre, style, medium, etc. What's nigh-impossible, though, is for something to be called a "bible", because to reach that status it has to not only have age, quality, & a status of being a representative behind it, but also be considered the product that everything that comes after it follows; it's an (or the) authority on something. You almost never hear anyone try to actually define something as being the bible on a concept or style, so when something is deemed to that level, then you have to take note.

Monday, January 9, 2017

Put It All in the Ruby Anniversary: Ring ni Kakero Turns 40!

A belated Happy New Year, everyone, & welcome to the year 2017... If you wish to hold on tight or kiss your ass goodbye, then go ahead & do so.

Once again, I have reserved the first month of the year to be "Jump January", and like the previous times I did this there is a singular theme behind it. For this year, I want to celebrate what I feel is an important anniversary that will likely get next to no celebration elsewhere, even in its home country of Japan. Forty years ago, on this very day (or, at least, on the second Monday of January), Masami Kurumada's Ring ni Kakero/Put it All in the Ring debuted in Weekly Shonen Jump magazine.

Calm down, Ryo-san, you'll run for WAAAAYYY longer...

Yes, for those who didn't know (like myself until I checked), 40 years marks the Ruby Anniversary of something, and that's what applies to this boxing manga. Since Shonen Jump doesn't mark exact dates, I had to calculate what day Issue #2 came out on, and since the magazine (officially) comes out every Monday in Japan, that means that Ring ni Kakero debuted on January 10, 1977; interestingly enough, this year is only one numbered day off in that regard. I'm sure most people are not familiar with RnK, so here's how I described it when I reviewed the manga back in 2013:

"Ryuji & Kiku are the two children of Gou Takane, a world-class professional boxer who was on his way to becoming world champion until his untimely death. Kiku decides to train Ryuji into a boxer, but Ryuji wants nothing to do with the sport. After seeing that their mother Chiyo has suddenly re-married to an abusive drunkard, Kiku takes Ryuji and they head off to Tokyo, where Kiku plans to make her younger brother into an excellent boxer, even if Ryuji doesn't want to. Through an encounter with Jun Kenzaki, a young boxing prodigy, though, Ryuji finds his motivation to become a pro boxer, and along the way will meet other junior boxers from all over the world on his path to (potential) greatness."

Since I am a big fan of this manga (& it's eventual anime adaptation), I wanted to celebrate this anniversary. Sadly, however, I feel as though I might be the only one out there who actually will give a hoot about this anniversary, even counting Japan itself.

Saturday, December 31, 2016

The Land of Obscusion's Twelve Favorite Posts of 2016!! Part 2

The internet is an ever-changing environment, especially when stuff like copyright & what can be enforced in which circumstances is taken into consideration. YouTube, for example, is becoming a bit of a hotbed of copyright claims by companies who feel that they are not being given their proper credit (& profit) from the use of their content in things like video reviews & the like. That being said, though, using copyrighted content for criticism & commentary (a.k.a. a review of even simple discussion) is & should be protected under Fair Use; still doesn't stop companies from trying to monetize others' usage of their content, though.

Why do I bring this up here? Because, as of this post, one of my reviews on this blog has recently been forced into draft mode (i.e. you guys can't read it right now) because of a DMCA claim that Blogger (i.e. Google) is trying to enforce. What's shocking (aside from the fact that my review may not even apply to the complaint itself) is that said review only features still images of the anime I reviewed, not video, which I have not seen any complaints about before; in fact, I didn't even start using stills (outside of title splashes & cover art) until a few years in. Obviously, I have put in my counter-claims regarding this, because what I do here is obviously within the definition of "criticism & commentary", but I feel that people should understand that, now, it looks like not even still images are safe in the eyes of some people or companies. Will I continue to use images in my reviews? Yes, because I think I have every right to do so for a review.

With that out of the way, let's get to the rest of my favorite posts of 2016. Thank you for your patience.

"Honorable Mention"
Demo Disc Vol. 7: Badd Banned Broadcasts (October 6)
Nothing against the Spring volume of Demo Disc, where I looked at some more mech anime (there's still enough for that to return again, too!), but the Fall volume definitely deserves a mention, at the very least. Whether it was from Gundam, BerserkMr. Osomatsu, or even Pok√©mon, looking at the episodes/chapters that are "banned" to various extents was a lot of fun... Except for the Porygon episode, as doing that one did give me a slight headache.


Ai no Jidai/Indigo Period -Ichigo Ichie- (February 29)
As always, I try to include one or two reviews of a manga that was done by Masami Kurumada, and this year brought about two titles that had a shared relation. To celebrate his 40th Anniversary in the manga industry, Masami Kurumada did some cool things, most of which did not involve Saint Seiya. First, he brought Otoko Zaka back from its ~30 year hiatus, & so far has made another three volumes worth of content (maybe next year I'll review them to stay up-to-date [depends on how Volume 6 ends]). Second, he teased a return for Raimei no Zaji by making a short "special chapter" that followed off of where that manga stopped back in 1988, so I reviewed that manga in March. Finally, Kurumada ended the celebration with a brand new, one volume short manga, & as soon as I could I read & reviewed the compiled tankouban of Ai no Jidai -Ichigo Ichie-, or Indigo Period -Once in a Lifetime-.