The Rest is Yet to Come: 12 Unlicensed TV Anime of the 80s Part 2

Without a doubt, the 80s was a decade filled with truly iconic TV anime, and a lot of them have seen official English release, whether that be back in the 80s, 90s, & 00s during the original rise & (near-)fall of the English anime industry, or in the more recent "modern" era that is mostly defined by streaming. Titles like Dragon Quest: Abel Yusha Densetsu, Samurai Troopers, The Wonderful Wizard of Oz, Ninja Robots Tobikage, Galactic Patrol Lensman, & Sherlock Hound all had some sort of English TV broadcast during the next three decades, even if some never got fully aired, while titles like Zillion & Super Dimension Century Orguss were some of the earliest TV anime released straight to home video dubbed, without airing on TV first (though, again, weren't necessarily fully released at the time). Meanwhile, titles like Patlabor, Armored Trooper VOTOMS, Maison Ikkoku, Dancouga, & Machine Robo all first saw official English release during either the 90s or 00s, while the likes of the Japanese Transformers trilogy of The Headmasters, Super God Masterforce, & Victory, as well as Mecha-Doc, Gold Lightan, Urashiman, Giant Gorg, Video Warrior Laserion, Psycho Armor Govarian, & Xabungle all eventually saw official English release in North America during either the 2010s or this current decade, even if some might only be via streaming.

As time goes on I imagine TV anime from the 80s will continue to get mined from for official English release every now & then... so what other titles are still waiting for their chance?

At the start of Part 1 of this 80s-themed list I put a number of titles down as "Honorary Mentions", citing their sheer lengths of "between 75 to 128 episodes" as the reason... and yet we begin Part 2 with a TV anime that, in total, is 72 episodes. However, aside from technically being fewer episodes than the titles I listed as being "honorary", there is also another reason for me deciding to include this one that we'll get to. Anyway, after a stint as an assistant to (a pre-Team Astro) Norihiro Nakajima, Motoka Murakami made his debut as a mangaka over in Shonen Jump in 1972, the issue following Team Astro's debut in fact, & that was magazine he stuck with up through 1977. After four short-lived manga, though, Murakami decided to move to a magazine that better matched the kind of manga he wanted to make, which wound up being Shonen Sunday. After finally having a small hit with 1977-1979's F1-focused Akai Pegasus, Murakami truly became a major name in manga with the series Musashi no Ken/Musashi's Sword, which ran from 1981 to 1985 for 25 volumes. The story initially focused on the childhood life of Musashi Natsuki, the son of two talented kendoka who swears to defeat Kunihiko Todo, his father's rival after Kunihiko accidentally killed Musashi's father with a thrust. However, Kunihiko himself retires from kendo in shame after the accident, so Musashi instead decides to surpass Shura, Kunihiko's son. However, halfway through the manga the story time skipped a few years & followed a now 15-year old Musashi as he continues improving his skills.

The Rest is Yet to Come: 12 Unlicensed TV Anime of the 80s Part 1

If the 60s was the decade where TV anime got its start & wet its feet, while the 70s was the decade where TV anime started wading into the vast ocean of production, then I think it'd be fair to say that the 80s was the decade where TV anime truly started to go into the deep end. This was the decade where studios & productions arguably started to truly expand out & experiment, likely due in part to the boom of the OVA market that happened during that same decade. The (eventual) success of Mobile Suit Gundam led to a focus towards telling more serious & dramatic stories in mech anime, even if it wasn't a "real robot" series, like Space Warrior Baldios, God Mars, Space Runaway Ideon, Aura Battler Dunbine, Round Vernian Vifam, Zeta Gundam, & Blue Comet SPT Layzner; there were still plenty of less serious mecha fare, but dramatic storytelling definitely took a priority. It was also the first decade to really feature a focus on reviving/rebooting the classics of those early days, as alongside what was now the standard once-per-decade revival of GeGeGe no Kitaro there was also Ashita no Joe 2 (which adapted the second half of the iconic manga), Tiger Mask II (starring a brand new person taking up the masked identity), God Mazinger (a complete re-imagining of Go Nagai's genre-defining icon), & brand new interpretations of Astro Boy, Tetsujin 28, Osomatsu-kun, & Sally the Witch. The 80s also has its fare share of decade-defining works, like Tsurikichi Sanpei, the Rumiko Takahashi TV trilogy of Urusei Yatsura, Maison Ikkoku, & (just barely counting for the decade) Ranma 1/2, as well as Creamy Mami, the first Glass Mask anime, Dirty Pair, Blue Blink (the last anime Osamu Tezuka worked on before his passing in early 1989), & Yawara!.

The 80s was also the decade that truly began Shonen Jump's dominance when it came to TV anime adaptations of its various manga, as the massive success of Dr. Slump Arale-chan in 1981 led to the near-guaranteed assurance of other adaptations from that point on, including Space Adventure Cobra, Kinnikuman, Cat's Eye, Fist of the North Star, Saint Seiya, Dragon Ball, Kimagure Orange Road, City Hunter, & too many others to name in just the 80s alone.

This was also the decade where the Japanese anime industry truly started to make an impact abroad, so much so that international companies were not only simply licensing like before but were now making entire co-productions with major anime studios. While Star Blazers (the English adaptation of Space Battleship Yamato) technically debuted in September 1979 it ran primarily during the 80s, and it was followed by things like Voltron (which used both Beast King GoLion & Armored Fleet Dairugger XV), Saber Rider & the Star Sherriffs (i.e. Space Musketeer Bismarck), Macron 1 (which combined GoShogun with Aku Daisakusen Srungle) & Robotech (the fusion of Super Dimension Fortress Macross, Super Dimension Cavalry Southern Cross, and Genesis Climber Mospeada). Meanwhile, many animated productions of the 80s that would normally be seen as "Western" were actually either co-produced by a Japanese studio or simply had a Japanese studio provide some (or even much) of the animation itself, as seen with titles like Ulysses 31, Mysterious Cities of Gold, Transformers, G.I. Joe, Rainbow Brite, & Thundercats. The (end of the) 80s was also when we started seeing the very first companies forming with the distinct intention to bring over anime in its original, uncut, & Japanese form with English subtitles, namely U.S. Renditions, AnimEigo, & Right Stuf... though their actual first releases wouldn't come out until (depending on the region) the literal tail end of 1989, if not the start of 1990; the very first official English manga releases happened in the 80s, too. Without a doubt, while the 60s & 70s were an important first step in TV anime finding their way into international homes, it was during the 80s that "anime" first truly started making waves, so much so that the very idea of an anime "fandom" truly started becoming a thing during this decade.

Because of that notoriety & general push a lot of the biggest names when it comes to TV anime of the 80s have already seen an official English release, in one way or another... though there are still tons of gaps left to fill in, and that's where this list comes in. Just as with prior lists of this type in prior months I do have to exclude some titles & simply mention them here as Honorable Mentions, with Metal Armor Dragonar being the sole exclusion due to it being in an older list I made of a similar enough concept, while titles like Fang of the Sun Dougram, Touch, Mister Ajikko, & Captain Tsubasa are being excluded simply due to their massive lengths of anywhere between 75 to 128 episodes. So, once again, let's tune up the band & see what's left of the 80s to potentially mine out for official English release, because... ♪The rest is yet to come, and babe, won't that be fine?♪

Those Who Hunt Elves I & II: You Can't Do That On (Prime Time) Television

The 80s in Japan could probably be described, in some way, as an "Age of Excess" when it came to the anime industry, and specifically when it came to the Original Video Animation/OVA. With the release of Dallos starting in late 1983, & especially with Megazone 23 in 1985, the idea of producing anime straight to home video blew up & created an entire new vector for anime to be produced via... and, best of all, money was easy to come across, so effectively ANYONE with an idea, money, & a path to distribution could create an OVA, for better or worse. The Japanese economy was booming from 1986 to 1991, which allowed the OVA market to expand to ridiculous heights, but nothing lasts forever & in 1992 the "bubble economy" burst. While OVAs still continued to get made throughout the 90s, they were nowhere near as prevalent as they were in the 80s, and for the most part tended to get made in relation to TV series that were already known to be popular & successful. However, entering into the second half of the 90s some people took note of "aniraji/anime radio", which were radio shows aimed at otaku that broadcast in late-night, i.e. after 11:00 pm, and while the idea of late-night anime had existed since the literal start of the concept in 1963, those kinds of shows were specifically aimed at "regular" adults who simply would be interested in watching anime that related to them, i.e. sexuality, dirty humor, mahjong, etc.

But could those very otaku who were listening to aniraji be willing to watch anime in late-night... and, in turn, buy merchandise related to those anime, i.e. manga, telephone cards, figures, home video releases, etc.?

In the end TV Tokyo wound up being the network that was willing to give this concept a try, but it did so via brokered programming, i.e. the time slots would be purchased by the producers of the anime themselves. Quite literally, this would be an "anime infomercial" where the anime itself was the infomercial for the associated merchandise that otaku would purchase, which is what the real point of all this was: To get otaku to buy swag. In order for this idea to really work, though, the first show to be aired via this "late-night anime infomercial" format would ideally be something that could never be allowed to air on more standard time slots anime was generally associated with, i.e. weekend mornings & prime time during weekdays. Luckily, in the pages of MediaWorks' Monthly Comic Dengeki GAO! there was just the manga that would be perfect for this concept: Elf wo Karu Mono-tachi/Those Who Hunt Elves by Yu Yagami. A dropout from Osaka Sangyo University, & former assistant to Yu Kinutani, Yu Yagami debuted Those Who Hunt Elves in early 1994 & would eventually finish it after a nine-year run in 2003, with a total of 21 volumes (plus a "DX" volume), though he would eventually return to it a couple of times with Those Who Hunt Elves Returns (a single-volume revival from late 2007 to early 2008) & Those Who Hunt Elves 2 (a digital serialization via Comic Meteor from 2013-2018 that totaled 10 volumes). There was also 2009-2011's Ageha wo Ou Mono-tachi/Those Who Chase Ageha, but that's totally unrelated & Yagami likely only titled it similarly for funsies.

Why was Those Who Hunt Elves the perfect anime for this new infomercial-esque concept? Because the entire gimmick of the series was that a bunch of people from Earth get teleported to a fantasy world, and the only way to get back home is to find fragments of a magic spell... and the only way to find the fragments is by stripping female elves of their clothes, since the fragments have become tattoo-like marks on their bodies. Yep, there is literally no way in hell that concept would have ever been approved for a morning, afternoon, or prime time TV anime slot in Japan in the mid-90s, and even as late as 2015 the Chinese Ministry of Culture literally included Those Who Hunt Elves as one of 38 different anime & manga that it had banned in China, alongside the likes of Elfen Lied, Blood-C, Corpse Party, Death Note, School Days, & Highschool of the Dead; to be fair, the list also included Inferno Cop. Anyway, the Those Who Hunt Elves anime would debut on "October 3, 1996 at 25:45" & run for 12 episodes, where it wound up being a success, leading to the idea of the "late-night anime infomercial" becoming more widely accepted... and today is the primary way the vast majority of TV anime gets made, but I've already been going over that history this entire year. One year later, on "October 1, 1997 at 25:45", a second season titled Those Who Hunt Elves II/Second (which is likely why Yagami went with the Arabic numeral for his manga sequel) would air on TV Tokyo for an additional 12 episodes, and around 1999 ADV Films would start releasing the first season via both dubbed & subbed VHS tapes, before eventually re-releasing it on dual-audio DVD in late 2001 & early 2002. Those Who Hunt Elves II would then see release in 2003 via dual-audio DVD only, and afterwards both seasons would always get re-released together as a 24-episode series, whether it was by ADV or (later) Sentai Filmworks via DVD boxsets in 2005, 2009, & 2016, or SD-BD boxset in 2019. ADV would also release the original manga in 2003 & 2004, but only put out the first seven volumes, stopping just shy of where the anime adapted up through, which looks to be Volume 8. To be fair, the show has been out been out of print for the better part of the past decade, & currently isn't streaming anywhere in English right now.

Anyway, my year-long celebration(?) of the 30th Anniversary of the modern-day late-night anime infomercial continues, on the literal day of the anniversary itself, with a review of the one that started it all, Those Who Hunt Elves (I & II)!