Our story begins in 1986, when a young mangaka named Kia Asamiya (real name Michitaka Kikuchi, and he'd swap between the two throughout his career) made his professional debut in manga with the series Shinseiki Vagrants over in Kadokawa Shoten's Monthly Comic Comp magazine. During that same year, though, Asamiya would also draw a 16-page short in Tairiku Shobo's Comic JAM magazine titled Ijikuu Gyo Kitan OZ/OZ: A Bizarre Story from Strange Spacetime, appearing in Issues #1 & #3 specifically; it later got reprinted in 1996 via the book Colors Side-A (which you can find over at the Internet Archive, actually). Then, in 1990, Asamiya returned to the concept of that one-shot with the manga Jikuu Kitan OZ/Mysterious Spacetime Story OZ, which he co-created with writer Satoru Akahori & ran in Hobby Japan's RPG Magazine for six issues before it went on indefinite hiatus, never to be continued. While Asamiya seemingly had no interest in continuing this concept, though, Akahori still wanted to do so, & in 1993 teamed with Eiji Suganuma (normally an animator, & now director, but was also a talented artist) to debut Maze☆Bakunetsu Jikuu/The Mega-Burst Space as a light novel in the pages of Kadokawa Shoten's magazine The Sneaker. Apparently Akahori more or less just took the same exact story that he & Asamiya had made with the second OZ manga & changed the names around in order to make Maze, but since he co-created the unfinished manga I guess he technically had every right to do so. In the end Maze would handily outlive its predecessor, running in The Sneaker until 1998 & totaling 14 books, with nine telling the main story, two telling side stories, & the remaining three simply telling bonus stories. I have no idea how Kia Asamiya felt about Satoru Akahori effectively co-opting a concept that he had first created on his own, but I guess that's just how the house falls from the sky sometimes.
Maze would also receive two different manga adaptations, one by Rei Omishi (who co-created Sorcerer Hunters with Akahori) that ran in Monthly Comic Dragon from 1995 to 1999 across six volumes & another by Suganuma himself in Comic Newtype in 1996 that only ran for a single volume. Also in mid-1996 was an OVA adaptation of Maze, a two-episode affair produced by Kadokawa, Victor Entertainment/JVC, & J.C. Staff that seemingly did well enough to prompt a second anime adaptation. This time around, however, it'd be a two-cour TV anime that aired in late-night, though it was produced by the same companies & even featured more or less the same exact major staff & cast reprising their respective roles from the OVA. The only main difference looks to be that the OVA was technically based on Rei Omishi's manga, crediting them with "Original Characters", where the TV anime was based on the light novel drawn by Eiji Suganuma (though Suganuma also did the character designs for the OVA). Central Park Media would license both Maze anime productions, first releasing them on VHS in 2000 before later re-releasing both on dual-audio DVD... but that's not what I'll be covering here. You see, CPM seemingly kind of got screwed over when it licensed Maze TV because what they released in North America was simply the original TV version, which is what came out in Japan on VHS.
However, over on Laserdisc Japan received an alternate version of Maze TV. Known over there as the "Ogeretsu-ban", or "Vulgar Edition", the LD release was an uncensored version of the show, featuring altered cuts of scenes that were apparently just too hot for even late-night TV in 1998. Not just that, but CPM's release was also missing a bonus 26th episode that has stayed exclusive to Japan to this very day, one that was released on VHS in Japan (& maybe also LD?), but only as a mail-in "proof of purchase" deal. So, sorry, no coverage of CPM's dub this time around as we start off my year-long celebration(?) of the 30th Anniversary of the modern-day late-night anime infomercial by checking out the "Vulgar Edition" of Maze☆The Mega-Burst Space!
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| "Every-body Loves Fem-Maaaaaaaaaaze!!!!" |
A teenage girl wakes up one day to find her room more than a bit disheveled, much to her own confusion. Confusion turns to panic when she realizes that she can't recall anything about her life or even who she is outside of her name being "Maze". While panicking over her amnesia there's a sudden knock on her door, and when she opens it a young girl named Mill springs forward & hugs her forcefully, thanking her for what she's done. With no idea of what's going on Mill takes Maze outside of the room... revealing that her house (or, at least, the upper portion that her room was in) is now in the middle of a giant forest, that said house fell from the sky, and upon landing crushed & killed a "demi-human" that was chasing after Mill. Maze is taken aback by all of this, & is now even more confused, but is given no real chance to think about anything as more demi-humans arrive in chase of Mill, so the two run. Turns out that Mill is, in fact, Princess Mill Varna of the Kingdom of Bartonian, and that a few days prior the Jaina Holy Church enacted a coup d'état, killing Mill's parents (the King & Queen) & taking over the kingdom. When all hope looks to be lost, Maze discovers three things. First, she can somehow use forme, the magic of the world she's found herself in. Second, this control over forme allows Maze to pilot the Rom-Armor Dulger, a "demi-armor" that Mill can summon when things get too rough. Third, at night Maze suddenly changes from the teenage girl that crash landed in her house to a teenage boy, one who also has amnesia yet already has great knowledge of how to use forme (making him the perfect pilot for Dulger), but is also immensely promiscuous compared to the more demure Female Maze. However, with two Mazes & even some help from others, Mill might actually be able to reclaim the kingdom that rightfully belongs to her.
If you couldn't tell, Maze (like the two OZ manga that it originated from) is technically inspired by The Wizard of Oz, though in reality the connection is mostly tenuous & basic. Maze (himself & herself) is obviously the Dorothy counterpart, complete with both arriving in their respective fantasy worlds by their house crash landing on someone, but beyond that Maze is very much its own thing. The dichotomy of the two Mazes is possibly a reference to Princess Ozma & Tip from L. Frank Baum's books, but handled very differently due to the fact that the two Mazes swap in & out depending on whether or not the Sun is out. Female Maze is very much the "main character" of the two, as her perspective takes priority, and she starts off as a staunch pacifist who, while being very protective of Mill, really doesn't want to fight anyone, but by the midway point eventually accepts that she will have to get her hands dirty to protect Mill. In comparison, Male Maze is the exact opposite by being a cocky, abrasive, & sexual deviant of a man who's always ready to fight back when provoked, and in a way the two's mastery of forme reflects this at the start. Female Maze, who's initially very timid & unsure about fighting back, can't really use magic at first (& even later on, when she's more capable, is often left unable to do so due to either outside interference or her own unsureness), while Male Maze has seemingly absolute knowledge of everything he's capable of right away, almost as though he's always been a resident of the world the Mazes were teleported to. The two can also communicate with each other in their collective head at points, and naturally there's even a couple of episodes where (due to forme-restricting items) the two wind up in each other's bodies for a short spell. Female Maze is naturally embarrassed at being a guy, while Male Maze seemingly couldn't give a care about what body he's win, as long as he can create havoc.
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| Solude: "Maze's got such a firm ass, doesn't she?" Aster: "You're goddamn right she does..." |
As for Maze's compatriots (who really don't correspond in any way to Dorothy's pals, so I won't even bother to compare), they're a fun bunch. Naturally, first up is Princess Mill Varna of Bartonian, who's immensely the kind of girl who can come off as too innocent for the world in how simple-minded she can be (after realizing that there are two Mazes she simply decides to refer to them as "Onenii-sama/Big Sister-Brother", because it's easier to just combine the two terms together), but at the same time is more than cognizant of the situation around her, the importance she holds as the last surviving member of her family, & the danger of the journey ahead; it just might hurt her head a little too much if she tries to think about it too much. Then there are Asterote "Aster" Reighe & Solude Schfoltzer, two powerful "Demi-Hunters" (i.e. they can take down demi-armors, the series' equivalent to giant robots... though most aren't really all that "giant"), and more or less initially decide to accompany Maze & Mill simply because both of them are very hot for Female Maze; seriously, "Everybody Loves Fem-Maze" is kind of a running gag for the show. Later on the gang is joined by Saris Rapier & Dolnard Woll, both of the Bistal Empire (the Queen of which being Mill's aunt), with Rapier essentially being the series' equivalent to Lady Oscar from The Rose of Versailles (i.e. a woman raised as a man who becomes a knight in adulthood) while Woll is the former Prime Minister who's both very knowledgeable (especially when it comes to bombs) & isn't afraid to be blunt when it comes to his fancy of the female form, on rare occasion. The anime does do a good job at establishing and/or developing most the supporting cast seen here, whether it's giving an entire episode to Solude as she takes on the woman she once idolized (& loved) who now wants her dead, or giving Rapier & Woll's introduction with Bistal an entire three-episode mini-arc; Aster & Woll don't get too much, but they have their moments here & there. There's also Randy, a fairy who was actually created for the OVA & was simply carried into the TV anime, but due to that she has relatively little importance, minus certain moments where she comes off more like a Deus ex machina, or at least a lore explainer, due to her not being from the light novel.
As for our villains from the Jaina Holy Church, they actually don't get too directly involved with the plot, minus a few moments here & there, until about the 2/3 point of the story. Leading Jaina is "The Creator", who like Maze is actually made up of two people, a goblin-looking old man & a beautiful woman, but unlike Maze the Creator swaps between forms constantly & seemingly at random, though also unlike Maze the two are essentially in complete unison; they also mysteriously refer to Maze as "The Eraser" that shouldn't exist at all. As for their subordinates there are the brothers Gorgeous & Chic (as in the French word, not "Chick"), with the younger Gorgeous being a totally vain & egotistical type who's more willing to let his actions be known to all, while the older Chic prefers to work in the shadows & manipulates others to do his dirty work more. Beyond them the rest of the villains are more or less just the various players in the giant war the land is caught up in, usually (but not always) someone either working directly with Jaina as a co-conspirator or someone with their own selfish goals who winds up being manipulated, more often than not by Chic, & given power in an attempt to kill Maze. Beyond that the remaining recurring cast seen in the show play more minor roles in support of our heroes, like Thanus (a Bartonian general who first fights against Maze but later leads rebellious forces against Jaina), Saber (the widowed warrior of a tribe who Female Maze clearly has a massive crush on), & the pair of Gold & Ran Chiki (a playboy, & massive Toyama no Kin-san homage, plus his paige who wishes he'd just lover her, respectively). Of those Gold & (especially) Ran Chiki get the most screen time & relevance, but I'd still say that they aren't "major" cast members, overall.
While I try my best to go into first-time watches like this with as little prior expectations as possible, I must admit that for Maze I couldn't help but expect this to be more than a bit of a raunchy comedy, especially considering that it's from Satoru Akahori. Not just that, but this is 90s Akahori, a period where he was easily at his most prolific & notorious, especially when it came to comedic stories with more than a touch of debauchery to them, as seen with titles like Sorcerer Hunters, NG & VS Knight Lamune, Master of Mosquiton, Combustible Campus Guardress, & (probably most notably) Saber Marionette J; he was also involved with the early Sakura Wars games, which certainly could fit this bill at points. Akahori was (& still is) more than capable of serious works, but in the 90s (& early 00s) he was the definition of wild & debaucherous comedy... which made it all the more shocking to me when I quickly saw how serious Maze takes itself, for the most part. Now, sure, there is still a bunch of silly comedy in this anime, & both Male Maze and the whole "Everybody Loves Fem-Maze" running gag maintain the level of sexual deviancy expected of 90s Akahori, but there's no denying that the Maze TV anime's first priority is on taking its tale of the Mazes & their friends helping Mill defeat Jaina & reclaim her throne as seriously as possible.
That's not to say that there isn't dirty comedy, though, as Maze definitely indulges in that every now & then, & there is the rare episode that focuses more on comedy than seriousness, like one that details how everyone is feeling the night before a big battle (which devolves into various characters trying to get a little... "close" to someone else, more often than not Female Maze) or the requisite hot springs episode where everyone find themselves caught in a collective dream state based around their respective romantic feelings. There's also a beach episode that I imagine is anime-only, since it focuses mostly on Randy turning into a human for a day. However, while Akahori himself didn't write any episodes of this TV anime, leave it to an Akahori creation to take said hot springs episode & have it be the first real hint as to the true identity of the two Mazes, which then is fully detailed a few episodes later. Said revelation is honestly a really neat one that kind of plays around with the isekai concept to some extent, though the truth behind who the two Mazes are does admittedly straddle the line when it comes to a certain... "forbidden" type of territory. To the show's credit the writing does try to avoid outright crossing the line too hard, though a line or two could potentially be taken the wrong way without considering the full context, but it's definitely an aspect that could mess with some's enjoyment of the show. Still, overall Maze TV is very much a serious isekai fantasy story first & foremost, one that even spends a few episodes with the gang back on Earth for more plot-focused storytelling, with the dirty comedy mainly being used to help keep the story from becoming too serious for its own good.
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| This is literally the only comparison I can show that isn't simply bare breasts. |
But what about the Ogeretsu-ban, huh? Does it truly deliver on the supposed "vulgarity" it claims to have? Well, the truth of the matter is that it, overall, is more marketing speak than anything truly substantial. Now, to be fair, the first episode does feature two notable moments, namely Female Maze's first appearance in the show & the stock footage for when Mill summons Dulger. For the former (as seen just above) the TV/CPM version shows Female Maze in her full outfit right away, which makes her looking at her shirt (the same exact one she's wearing) & complaining about a stain more than a bit silly, but on LD she's shown in her bra & panties, which makes the bit with her shirt makes more sense. For the latter the main difference is that on LD Mill's top comes off during the summoning of Dulger, exposing her bare breasts, whereas she stays clothed on TV. However, outside of the rare episode where someone skinny dips (like Female Maze does once in an early episode, plus all of the women in the aforementioned hot springs episode) there are barely any moments for the "Vulgar Edition" to actually get more "vulgar" than the anime could on TV; even that bit in Episode 1 was likely something done specifically to sell the LD release. You'd think the Dulger summoning stock footage would at least make for an easy way to show off bare breasts on an episodic basis (yes, Mill is underage, but I'm just pointing something out), but Dulger is only summoned for battle every now & then, and the stock footage itself is actually shown on a seemingly random basis, essentially only being used if the staff needed to fill time in any way. Hell, even the hot springs & beach episodes don't indulge more in showing off boobs than you'd think on LD!
In all honesty, there's really nothing I can think of that's "laid bare" in the "Vulgar Edition" that would have prevented Maze from airing censored in prime time back in 1998, the same time frame that both Sorcerer Hunters & VS Knight Lamune & 40 Fire aired in a couple of years prior (& both shows are definitely raunchier than Maze), so this whole endeavor just comes off more as the producers wanting to take advantage of late-night's general infamy to help sell the show on Laserdisc. The only thing that maybe, just maybe, actually kept Maze off of prime time was in how blunt it was when it came to characters' sexual preferences, especially in how unabashedly lesbian Solude is, but also how normal her attraction to Female Maze was seen as. Remember, this was the mid-90s, a time when gay people were often not portrayed in the best light when it came to televised programming, even in Japan. I imagine the simple act of portraying something like a woman being sexually attracted to another woman, & having it be seen as "normal" rather than be something to poke fun at, would have been seen as uncomfortable for some TV executives at the time.
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| Look, their breasts are covered just enough... |
So how about that bonus 26th episode? Titled "The Author is Serious! Looking at Love & Death... A Travelogue of the Hot Springs: What the Nurse Saw", this self-described "fanservice episode" of Maze is seriously the exact kind of thing that I honestly expected the entire series to be like. Taking place essentially right after Episode 15 (i.e. the TV series' hot springs episode... and, yes, this bonus episode does poke fun at the fact that it's another hot springs episode) the story here sees the gang visit a "forbidden garden" of a dry hot spring, where they learn that it was banned due to the water causing whoever bathes in it to experience a complete flip in their personality... only for a geyser to go off while Female Maze, Mill, Rapier, & Ran Chiki were investigating the area. In reality, though, the entire episode is simply an excuse to have some raunchy & bawdy fun by making the aforementioned four characters become totally unlike themselves multiple times over, like Female Maze becoming a violent rogue, Rapier becoming a pacifist, Mill becoming a dominatrix (with Maze also becoming her BDSM slave), Ran Chiki turning into a delinquent... and it all ending with the four eventually becoming nymphomaniacs, all while Woll, Aster, Solude, & Randy simply watch, hoping that (eventually) the water will revert their friends back to normal. Meanwhile, there are two short interludes showcasing the villains, with the Female Creator telling the Male Creator a literal example of toilet humor, while Gorgeous goes on a 237-0 winning streak against Chic in Reversi/Othello. There's also the start of the episode, which technically takes place after the series' finale & is an extremely self-aware bit where Male Maze reveals that the entire thing is a fanservice episode, with Mill revealing truths behind her & Ran Chiki that are never brought up in the TV anime (&, honestly, make no real difference, outside of simply adding to some of the themes of gender identity that's showcased in bits here & there), as well as confirming Solude being a lesbian, though that last one wasn't really hidden in any way in the series. Also, Solude remarks at her pants showing more of skin in her thigh/hip area, so I guess the TV version covered that up; if you watch this after seeing the LD version the joke makes no sense. To no surprise, this bonus episode is the only episode that was actually written by Satoru Akahori himself.
As for the staff behind the main series, leading everyone at J.C. Staff was director Iku Suzuki (Yumeiro Pâtissière, Touma Kijinden Oni), and overall it's a well animated show for the era, especially for being such an early example of "modern" late-night anime. It definitely takes well-worn & reliable shortcuts when needed, especially during some action sequences, but overall the show animates well (& there is the possibility that rougher looking shots might have been fixed for the LD release, specifically) & visually still holds up extremely well to this day, I'd argue. Part of that is buoyed by the character designs by Masayuki Goto (Kishin Corps, Ogre Slayer), which look to adapt Eiji Suganuma's designs very well & are filled with instantly memorable & identifiable characters throughout, and while no one is seemingly credited for the mech designs when it comes to the various demi-armors & the like I imagine Goto also did those (as he's also done that for some anime), which also look very nice. The writing was split up almost evenly between three people, head writer Katsumi Hasegawa (Mon Colle Knights, the Beyblade "Metal Saga"), Sumio Uetake (Master of Mosquition '99), & Yasunori Yamada (Lost Universe), though Tsuyoshi☆Tamai (Bikini Warriors) also made his debut in the industry here writing the two episodes that introduce Gold to the plot. Probably the "weakest" part of the production, though, would be the music by Norimasa Yamanaka (Weiß Kreuz/Knight Hunters, Appleseed OVA), which isn't bad or anything like that, & honestly fits the show's general vibe well, but is simply not all that memorable outside of the eyecatch & the next-episode preview; it also sounds a bit like music you could have heard in CD-based video games of the era.
However, the same can't be said of the theme songs for Maze TV, which are all excellent & instantly memorable. For the sole OP theme we have "Kokuu no Meikyu" by Seikima-II (read as "Seikimatsu/The End of the Century"... get it?), a Kiss-style metal band fronted by Demon Kakka (neé Demon Kogure), and it's a great rock song sets a fun mood for every episode while also establishing enough of a serious tone to it all. There's also an amusing habit of including lines referencing the title of the series via rhyme, namely "Maze of the Haze", "Maze in Your Face", & "Maze in Null Space", which just adds to the charm of the song; this song is also used as an insert song in Episode 23, and it naturally works well there. However, the true musical gem of the entire show would have to be the first ED theme, "Junk Boy" by Kaori 2 Luv, the name Kaori Nishina used at the time. An immensely & instantly addictive song with a fun dance beat to it (the ED sequence itself is also very heavy on characters dancing to the song), "Junk Boy" is also a very fitting song for the show itself as the lyrics are all about a woman keeping a boy she likes at bay for the time being due to him being a little too aggressive, & asking him to learn to grow up first, which fits Male Maze to a T. Finally, the second ED is "Happy Mania" by Tamao Satou, who's known more for her acting roles but at the time was also trying a singing career; she even voiced Athena Asamiya in The King of Fighters '96, likely as promotional thing. "Happy Mania" itself is a very good & fun song in its own right, a song about a girl who quickly gets over a failed love confession by falling in love with the next guy she sees, and it has a sound to it that honestly befits the time it came out in, i.e. it's so utterly mid-90s that it's kind of charming nowadays. The final episode also features it's own ED theme, "Jikuu wo Koero! Boukensha" by Yoshihiro Honda, which was also the ED to the Maze OVA that came before.
When it comes to the Japanese voice cast leading everyone is the equally iconic pair of Kotoni Mitsuishi & Tomokazu Seki as the two Mazes, and both do an excellent job as the polar opposites that Female & Male Maze tend to be. Still, while Mitsuishi mostly stays the same in terms of delivery (outside of moments when Female Maze decides to stand tall & defiant against villains), Seki also gets moments to be more subdued & caring, especially when it comes to dealing with the true identities of the Mazes. Then there's Sakura Tange as Mill, who manages to deliver a somewhat ditzy & semi-clueless kind of character in a way that never truly becomes annoying, and even her habit of saying "Ukyu" or ending sentences in "desu" came off more charming than I would have expected. Ai Orikasa & Unshou Ishizuka voice Solude & Aster, and both make for an instantly likable & fun pair to hear in action, while Orikasa in particular sounded to have a lot of fun when it came to Solude's anything-but-nonchalant way of coming on to Female Maze. Meanwhile, Rapier is voiced by Yuko Kobayashi & definitely fit the Lady Oscar-style serious veneer of the character, though in choice moments she also got to show a more feminine side of Rapier, though almost always done for the sake of comedy. As for Woll & Randy we have Masaharu Sato & Chinami Nishimura, and both were more or less just fine for their roles; nothing amazingly stellar but also nothing terrible. For the Creator we got Mako Hyodo & Takeshi Watabe, and it was interesting that both sides rarely ever true any major emotion until the final episode, but at the same time both managed to never sound truly boring or the like in execution, which is always the risk when it comes to a stoic villain like that. Then there are Gorgeous & Chic, who are voiced by Ryotaro Okiayu & Toshiyuki Morikawa, and of the two Okiayu definitely was the standout.
The rest of the cast features the likes of Shinichiro Miki (Gold), Yuka Imai (Ran Chiki), Takehito Koyasu (Saber), & Takaya Hashi (Thanus), among many others who appeared only for an episode or two. Really, Maze TV got itself a rather start-studded cast so it's no surprise that the voice work came out really well.
Maze☆The Mega-Burst Space was a title I had heard of relatively quickly once I really started to get into anime in the mid-00s, but for whatever reason I simply had no real interest in ever checking it out myself. As I came to become more familiar with Satoru Akahori's works I honestly just kind of wrote it off slightly as simply being a raunchy comedy that took place in a fantasy world, as that kind of comedy was admittedly what Akahori was best known for during that specific period in his career. The rare time I saw someone talk about Maze it was usually in the vein of how ridiculous it was, or simply how it caught some people's attention due to the idea of a boy & girl swapping places on the regular. Therefore, once I finally started watching the show for this review I was shocked at how, in reality, it was very much more of a straight & serious story dealing with ideas like war, revenge, loss, identity, self-confidence, a little bit of gender identity, & found family. Sure, there was still the occasional bit of comedy to be seen, & most of the cast certainly had no hesitation in showcasing their sexual preferences to each other, but if you go into watching Maze TV then do know to expect it to be taken mostly seriously first & foremost (the bonus episode is definitely an outlier, in that regard). I went into Maze not fully knowing what to expect, but in the end what I got was a really damn good fantasy series that, more than likely, still shows most modern isekai anime how to really execute the concept well.
If anything, I imagine the Maze OVA probably focuses more on the raunchy comedy (& is likely where many people actually had their experience with the franchise from), and since it's only two episodes there's always the possibility that it could appear in a future installment of Oh Me, Oh My, OVA!. There's also the whole "Vulgar Edition" branding for the LD version that I watched for this review, and in the end that was definitely nothing more than hollow promotion, as the actual "vulgarity" seen in the Ogeretsu-ban was so little seen that it really doesn't make much of a difference. However, if I had to pick a version to recommend I probably would go with the Ogeretsu-ban, since it's arguably still the more "honest" version of the series, as little of a change it results in overall. Finally, there was one last bit of Maze anime produced, which was the ~40-minute theatrical film Maze☆The Mega-Burst Space: Tenpen Kyoui no Giant/The Menacing Giant of the Heavens that came out on April 25, 1998, where it was part of a double-bill with the Record of Lodoss War parody film Welcome to Lodoss Island!. Unfortunately, the Maze movie seemingly bombed hard upon release, as it was the first late-night anime to ever get a film (i.e. it had a limited audience to appeal to), and since then no one seems to know where the film master for it has gone, turning it into an actual example of "lost media" in anime; the only existent footage of it is a promotional trailer that was included with the LD release.
Overall, Maze☆The Mega-Burst Space was a pleasant surprise for me & a great way to start off this year-long celebration(?) of the early days of the modern-day late-night anime infomercial. Next month I'll continue on with the next review, which will cover the show that replaced Haunted Junction, & ran alongside the second half of Maze in mid-1997, Don't Leave Me Alone, Daisy!
Anime © 1997 Satoru Akahori・Eiji Suganuma/Kadokawa Shoten・JVC (now FlyingDog)・J.C. Staff
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